still doesn’t answer the question how is Ozu’s mediation on morality integrated in his idiosyncratic cinematic language…
Dialogue: Yang and Bei
ozu
February 26, 2010 – 15:17
hi breda, so the question now return to a view of artist, about the camera position as you know we can easily found a lot…
yep, Tokyo Story
February 26, 2010 – 14:04
is a meditation on morality. what about Ozu’s cinematic style?
what do you think determines the camera position in Ozu’s films?
(why is…
Tokyo story, Ozu
February 26, 2010 – 11:53
Dramatic under peaceful surface, not solution gave by director.
Bad guy do bad things to good guy, bad guy doesn’t get any punishment，and good…
Yang
February 25, 2010 – 18:25
as a viewer
February 25, 2010 – 15:41
Yang
February 25, 2010 – 10:37
would it be possible to forget about your point of view as an artist for a moment? be great if you could let me know:
unclear
February 24, 2010 – 12:09
what sleeps in the rock,
dreams in a plant,
lives in an animal,
i like these sentence, and before i got suggestion that to read …
shapes & souls
February 22, 2010 – 10:43
not sure how we got from crematoriums, smoke and glass to plants, animals and human beings… are you familiar with this:
“what sleeps in the…
