Author Archives: Breda Beban

all fine

let’s regroup…








Nanjing 4

‘I almost didn’t recognise you. I thought it was a Japanese woman who looks like you” ending ‘In the Mood for Love’ by Wong Kar-wai…

nanjing 3

iaa asked: “how do you feel as a viewer of other people’s work?”

from a pool of many international artists or filmmakers/directors, you referred ONLY…

nanjing 2

still doesn’t answer the question how is Ozu’s mediation on morality integrated in his idiosyncratic cinematic language…








yep, Tokyo Story

is a meditation on morality. what about Ozu’s cinematic style?
what do you think determines the camera position in Ozu’s films?
(why is…

2 basic questions

Andrew, you say: “The product of my interaction with whoever or whatever I meet along my journey will constitute the art, any new discoveries I…

Yang

other international artists or filmmakers/directors in general (not imagine art after artists)








Yang

would it be possible to forget about your point of view as an artist for a moment? be great if you could let me know:

does G-d exist?

the question ‘Does God hate Women?’ implies that God exists, no?








are all words a person, place or thing?

“are all words nouns?” interesting question - what next, Didier?

also, what are we to do if want to avoid illustrating concepts or stating the…