when you talk about investigating ‘misrepresentations of cultural practices in contemporary art’ can you be more precise? and are you really questioning it by recreating another (mis)representation in a gallery-set lagna? and is questioning it enough? how will it be engaging and go beyond the obvious?
I am more intrigued by your indian bride post, even though the idea is not formulated yet, but it seems more related to you, Bindu. How does it connect to the present-time you, though?
