nanjing 3

iaa asked: “how do you feel as a viewer of other people’s work?”

from a pool of many international artists or filmmakers/directors, you referred ONLY to Tokyo Story, a feature by Ozu. why?

yes, there as many studies about Ozu’s work, and there are many references to the Nanjing massacre.

where are you in relation to all this really? searching for the shape of ‘the soul’ of plants, animals, and humans?

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